Category Archives: LGBTQ
This introduction preceded the first installment of expunging this old Klaine research from my archives, but here it is again: To be frank, Glee has exhausted its welcome in my head space. In trying to be a healthy person after a bad relationship, I tabled finishing two posts about Klaine almost a year ago. Some of the references are out of date and I have no desire to spend any more time thinking about Klaine and the insipid behavior of Klainers (read: no, not all Klainers). But when tweets showing Klainers complaining about Brittana came across my Tumblr dash, along with comments borrowing text from our Brittana post, I realized outdated or not, things haven’t really changed at all.
So here it is, the Klaine post, down and dirty. This is the second, more practical installment, which points out some obvious fact checking errors the Klainers may have (inadvertently?) made.
One of my biggest pet peeves about the Glee fandom at times is the misinformation used to create what they think are logical arguments. Klainers especially have this idea that Klaine is all that drives the show. This is most definitely false, both in terms of the fandom and general audiences. They are not alone in the assumption that their ship runs the show (fans of many larger ships do this), but Klainers seem to be most vehement in their misinformation. So, we’ll start by debunking Klaine’s popularity with a dose of reality.
First of all, Klaine is not the most popular couple on Glee. Actually, there is no way to tell which couple is, there’s so many of them. Klainers like to point to shipper polls where Klaine has won as the best couple. What they fail to see is that for nearly every poll Klaine has won, another Glee couple has won one as well. For example, Brittana won a recent People’s Choice online couple poll, Brittana beat out Klaine to make in into the final round of an EOnline couple poll in early 2013, Faberry won an Eonline poll circa 2012, and on and on.
Not to mention, Klaine did not win best couple at the actual People’s Choice Awards this past year. In short, the lesson here is that online polls where fans are asked to choose something has no real correlation to the actual popularity of a ship. If a poll is the best evidence of a couple’s popularity, then get off the bus now, because these polls hardly reflect any real data. They more accurately represent who has the most spare time to vote many, many times online.
To be frank, Glee has exhausted its welcome in my headspace. In trying to be a healthy person after a bad relationship, I tabled finishing two posts about Klaine almost a year ago. While some of the references are out of date and I have no desire to spend any more time thinking about Klaine and the insipid behavior of Klainers (read: no, not all Klainers). But when tweets showing Klainers complaining about Brittana came across my Tumblr dash, along with comments borrowing text from our Brittana post, I realized outdated or not, things haven’t really changed at all.
So here it is, the Klaine post, down and dirty. We’ll start with the more serious problem in this first installment, poaching representation.
The Klainers within the Glee fandom have a reputation of so enthusiastically shipping their couple, they at times defy logic and don’t care who they trample to see their couple on screen. While this is perhaps a series of traits common to many die-hard shippers, the problem with Klainers is using the argument of LGBT representation.
This argument is made by Klainers selectively—usually ignoring the female faction of the LGBT community—to manipulate the show into giving their favorite couple screen time, and then turning around and attacking real LGBT people to achieve this same goal. Klaine is increasingly for straight fangirls and has little to do with LGBT representation anymore.
I want to make something very clear up front. First of all, I will always support the right of anyone to ship whichever couples they want; people of all sexual orientations can enjoy shipping couples of any combination of genders. What I do object to; however, is the appropriation of LGBT representation of gay men by a predominantly straight female audience for their own personal gain.
Glee released its first character breakdown yesterday, announcing the new roles Glee is casting for their final shortened season 6. Big surprise, all these new characters are high schoolers, 3 of the 5 characters are male, including another gay male character. I am going to place my bets right now that role will be cast as a white gay male.
I laughed a little at the Twitter outrage when TVLine made the casting information public this morning. More males, another gay male, no queer women… Why is anyone surprised? This is Glee, and history doesn’t lie. Glee has never really cared about telling the stories of queer women. The entire series has evolved into a disappointing homage to white men.
Beautiful, inclusive video for John Legend’s “You & I”. Take a look/listen!
So I found this little musing on Tumblr, land of opinions, about the shipping of the non-canon, non-gay men characters on Sherlock. Cantpronounce is “still struggling to understand why” straight women shipping two men together is seen as fetishizing homosexuality.
Disclaimer, I know nothing about Johnlock, but this entitlement some straight people feel about LGBT characters is hardly unique to Sherlock. (Klainers, I’m looking at you) and hardly unique to women (straight dudes, queer women don’t exist for your gratification.) What I do understand; however, is why some LGBT people (and those allies who get it) have a hard time with straight people appropriating queer characters as their talisman for being mistreated by showrunners, writers or whoever, for shipping same gender couples.
Demi Lovato’s “Really Don’t Care” filmed at Los Angeles Pride early this month. Happy Pride Month!!!
Faking It. From such tentative potential after what sounded horrible, the season finale could not possibly have ended any worse. In those final seconds–with Amy (Rita Volk) and Liam’s (Gregg Sulkin) hook up–it really became a lesbian’s worst nightmare.
Covington states in a recent interview that his heart is in the right place and he comes from the same community. First, good intentions can still result in terrible actions. Secondly, he doesn’t come from the same community, as he so vividly demonstrated with Faking It’s season finale. Queer women are exploited by men–straight and apparently gay showrunners–by using these tired lesbian sleeps with man tropes, queer baiting and double standards.
While it is important to represent a broad spectrum of what it means to be queer, including representations that transcend definitions, it seems that these stories are relegated almost exclusively to female characters. Meanwhile, queer male characters are never found in these positions and are considered revolutionary for being unapologetically, out, proud gay. This seems like a double standard to me, one that I don’t know what to make of.
Buzz Feed posted an article about “Faking It” and its forward-thinking nature in portraying queerness with less focus on labeling. While I agree with several of author Louis Peitzman’s points, particularly about the confusing nature of queerness in high school, he seems to think that having a full-blown, established lesbian character is outdated. Peitzman says of women who only love women and define themselves as lesbians, “Those rigid lines, in fact, are exactly what now feel dated.”