Category Archives: Representation
Glee has this habit of pitting LGBTQ characters against each other, as well as their shippers and fans. While the resulting social media commotion may be an effective way of creating some sort of social capital for a show that should have sunk years ago, it’s at the expense of the very same LGBTQ community Glee likes to congratulate itself for celebrating.
In the latest episode, which contains the much appreciated Brittana proposal and the most sensitive treatment of Brittana since season 2, it also features Santana viciously going after Kurt about why Blaine broke up with him. The result is pretty brutal and unnecessary, even for a character whose razor sharp edge is sometimes a complex, nuanced part of her personality. Really, it was uncalled for, even if Kurt interrupted Santana’s moment.
Beyond the fact that Blaine is the toxic character in the Klaine pairing and constantly escapes any sort of real criticism or challenge, it’s disheartening that Glee doesn’t seem to have room for two hugely important LGBTQ characters to exist in the same space and support each other at the same time.
Take a look at this week’s Reads of the Week: Great articles about the LGBTQ community, feminism, women and anything else worth reading.
- “We have got to realize that we are all students of the human experience. And if we do not start learning from each other and really listening and receiving the gift from the person across from us, we are lost.” –Alexndra Billings, Jezebel
- “The paradox of the current system is that the reliability of the victim is crucial to the prosecution of a crime that features unreliability as an almost guaranteed byproduct. This point seems lost on many of the people currently swept up in a reactionary obsession with the account of one alleged survivor.” – ThinkProgress, “I Was Sexually Assaulted as a Child. Here’s Why I Didn’t Remember for Years”
- “Gender is not sex, and sex is not gender, although explanations of both will vary. And gender identity is not gender expression, although they might play into each other. And a sandwich is not a wrap, although you can convert it into one.” – Autostraddle, “Rebel Girls: Waiter, There’s Some Theory in My Gender”
This introduction preceded the first installment of expunging this old Klaine research from my archives, but here it is again: To be frank, Glee has exhausted its welcome in my head space. In trying to be a healthy person after a bad relationship, I tabled finishing two posts about Klaine almost a year ago. Some of the references are out of date and I have no desire to spend any more time thinking about Klaine and the insipid behavior of Klainers (read: no, not all Klainers). But when tweets showing Klainers complaining about Brittana came across my Tumblr dash, along with comments borrowing text from our Brittana post, I realized outdated or not, things haven’t really changed at all.
So here it is, the Klaine post, down and dirty. This is the second, more practical installment, which points out some obvious fact checking errors the Klainers may have (inadvertently?) made.
One of my biggest pet peeves about the Glee fandom at times is the misinformation used to create what they think are logical arguments. Klainers especially have this idea that Klaine is all that drives the show. This is most definitely false, both in terms of the fandom and general audiences. They are not alone in the assumption that their ship runs the show (fans of many larger ships do this), but Klainers seem to be most vehement in their misinformation. So, we’ll start by debunking Klaine’s popularity with a dose of reality.
First of all, Klaine is not the most popular couple on Glee. Actually, there is no way to tell which couple is, there’s so many of them. Klainers like to point to shipper polls where Klaine has won as the best couple. What they fail to see is that for nearly every poll Klaine has won, another Glee couple has won one as well. For example, Brittana won a recent People’s Choice online couple poll, Brittana beat out Klaine to make in into the final round of an EOnline couple poll in early 2013, Faberry won an Eonline poll circa 2012, and on and on.
Not to mention, Klaine did not win best couple at the actual People’s Choice Awards this past year. In short, the lesson here is that online polls where fans are asked to choose something has no real correlation to the actual popularity of a ship. If a poll is the best evidence of a couple’s popularity, then get off the bus now, because these polls hardly reflect any real data. They more accurately represent who has the most spare time to vote many, many times online.
To be frank, Glee has exhausted its welcome in my headspace. In trying to be a healthy person after a bad relationship, I tabled finishing two posts about Klaine almost a year ago. While some of the references are out of date and I have no desire to spend any more time thinking about Klaine and the insipid behavior of Klainers (read: no, not all Klainers). But when tweets showing Klainers complaining about Brittana came across my Tumblr dash, along with comments borrowing text from our Brittana post, I realized outdated or not, things haven’t really changed at all.
So here it is, the Klaine post, down and dirty. We’ll start with the more serious problem in this first installment, poaching representation.
The Klainers within the Glee fandom have a reputation of so enthusiastically shipping their couple, they at times defy logic and don’t care who they trample to see their couple on screen. While this is perhaps a series of traits common to many die-hard shippers, the problem with Klainers is using the argument of LGBT representation.
This argument is made by Klainers selectively—usually ignoring the female faction of the LGBT community—to manipulate the show into giving their favorite couple screen time, and then turning around and attacking real LGBT people to achieve this same goal. Klaine is increasingly for straight fangirls and has little to do with LGBT representation anymore.
I want to make something very clear up front. First of all, I will always support the right of anyone to ship whichever couples they want; people of all sexual orientations can enjoy shipping couples of any combination of genders. What I do object to; however, is the appropriation of LGBT representation of gay men by a predominantly straight female audience for their own personal gain.
Glee released its first character breakdown yesterday, announcing the new roles Glee is casting for their final shortened season 6. Big surprise, all these new characters are high schoolers, 3 of the 5 characters are male, including another gay male character. I am going to place my bets right now that role will be cast as a white gay male.
I laughed a little at the Twitter outrage when TVLine made the casting information public this morning. More males, another gay male, no queer women… Why is anyone surprised? This is Glee, and history doesn’t lie. Glee has never really cared about telling the stories of queer women. The entire series has evolved into a disappointing homage to white men.
So I found this little musing on Tumblr, land of opinions, about the shipping of the non-canon, non-gay men characters on Sherlock. Cantpronounce is “still struggling to understand why” straight women shipping two men together is seen as fetishizing homosexuality.
Disclaimer, I know nothing about Johnlock, but this entitlement some straight people feel about LGBT characters is hardly unique to Sherlock. (Klainers, I’m looking at you) and hardly unique to women (straight dudes, queer women don’t exist for your gratification.) What I do understand; however, is why some LGBT people (and those allies who get it) have a hard time with straight people appropriating queer characters as their talisman for being mistreated by showrunners, writers or whoever, for shipping same gender couples.
Faking It. From such tentative potential after what sounded horrible, the season finale could not possibly have ended any worse. In those final seconds–with Amy (Rita Volk) and Liam’s (Gregg Sulkin) hook up–it really became a lesbian’s worst nightmare.
Covington states in a recent interview that his heart is in the right place and he comes from the same community. First, good intentions can still result in terrible actions. Secondly, he doesn’t come from the same community, as he so vividly demonstrated with Faking It’s season finale. Queer women are exploited by men–straight and apparently gay showrunners–by using these tired lesbian sleeps with man tropes, queer baiting and double standards.
Deadline ran a piece by “special to Deadline” author David Robb about “How to Court the Female Audience.” Apparently this article culminates the wisdom Robb gathered from a conference called, ‘Produced By.’ Here is a brief breakdown of what Robb failed to learn, in the form of quotes pulled from the article and a few comments.